adamjspooner

Helvetica Neue Will Use You

Hevletica. It's by far the most ubiquitous typeface seen these days. People adore it. They make movies with it and about it. Your friends that think it's just a font know what it is. Heck, I bet your grandparents have at least heard of it.

Every project I begin starts with Helvetica Neue. It's clean. It's simple. It's neutral. It knows no emotion, but can evoke so many. I see it on the subway and smile. I look out of my office window and see it on the tops of buses ... and smile. I see it on movie posters and get sentimental. I hear people bicker over it and get disgruntled ... There's a gigantic poster above me, right now, printed in Helvetica. I love Helvetica.

That all changed a few weeks ago.

I sat down at my machine –cup o' the Dew in one hand, mouse in the other– ready to get started on another project. I set up my grid. Grabbed the type tool and began. Helvetica came splashing out onto the screen ... and I didn't feel inspired as I normally do. I was bored. It was bland. The passionate love for Helvetica was gone. I looked at it wanting more ... I hated Helvetica.

I switched to Gotham. Then to Futura. Then to Century Schoolbook. Then to Sauna. Then to DIN ... The cycle continued.

Two weeks later I was back on Helvetica like a heroine addict who tried crack. That day I realized something important: Helvetica and I have a love-hate relationship. I feel as though it uses me ... while I use it. And so it inspired a new typographic experiment: He (Helvetica) will use you. I will use You (Helvetica). Helvetica Neue will use you.